Truth or Power?

Years ago during a sabbatical in Tasmania I wrote the following prose and wrote in on the wall of the old farmhouse we were staying in: 

“Do I truly love thee, or do I merely covet? For if I truly love I can come to accept even that, which I do not understand.”

As I approach another defining chapter in my life the reflection reveals a pinnacle truth, that we as humans often opt for power rather than absolute truth. We spend so much time trying to control the world as opposed to understanding it, and more often than not the understanding is a prerequisite for somehow attaining better control.  

Surrendering to what we don’t know is always difficult and likely takes significantly more time than choosing to believe in something we have no proof of in order to make more sense of the world and our place in it.  

And so I choose to accept the multitude of things in life that are likely never to be understood and embrace the humility and magic of that fact... to be continued... 

eBook 2 Updated: Editing Techniques

A heads up that the ToKwerX eBook 2 Editing Techniques has been updated. This now includes (by request from a current owner) a chapter on the editing of Drum Playlists, with a complete step by step workflow for ProTools. All owners of the earlier version will be sent a free copy as part of their lifetime upgrade. For new purchases head over to the ToKshop

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T. C. E. F. C. R.

Truth. Compassion. Equality. Freedom. Courage. Responsibility.  

Refrain from placing ultimate authority on anything, be it a leader, institution or text. Retain the right to question everything before too easily assigning what is “True” or “Right.” 

Questions we cannot answer are likely more healthier for us than Answers we cannot question.

If there is no allowance to waste time searching than we will very likely never find the Truth.  

Some wonderful reality checks from Yuval Harari - Historian

History & Humility

A request to study our human history; properly. Any religion, educational guru or nation who considers itself the omnipotent source of knowledge is an imagined construct. All morals, art, spirituality and creativity are embedded in our species’ DNA and began in Africa 100,000 years ago

I am asking everyone who reads my Blog to adjust their attitudes to others who may share a different belief, imagined construct or cultural perspective. 

Humility is grossly undervalued.

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Rebellious Bird: HORNS Tracking

A massive day in Studio 1 NEVE yesterday tracking Horns for the Rebellious Bird debut release. Editing and mixing these today before dropping the Horns into the main mix sessions for final tweaks tomorrow; mastering Thursday… Friday onwards… REST!

My absolute gratitude to engineer Mark Kelson for driving whilst I was performing alongside Ellie Lamb on Trombone and Jeff Mead on Tenor Sax. Beautiful section.

the VANITY of TREES: Padma Newsome

Absolutely delighted to support the release of this sonic tapestry by dear friend and colleague Padma Newsome. The album is a collective of works featuring the wonderful artistry of this beautiful man. I am thrilled to have been involved in bringing this to life. Best wishes and congratulations Padma x. https://padmanewsome.bandcamp.com/album/the-vanity-of-trees

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It's All in the Timing...

This week and next I am completing the debut release for Erin Downie and Rebellious Bird. 
This EP has been over two years in the making during which we have endured: Moving homes (twice), Full Time Study, Floods, Single Parenting and Broken Hearts.

But we persevered.

I am incredibly proud of this upcoming release and consider it some of my best work. Erin sings beautifully on these tracks and the band is wonderful. Horn section will be dropped in next week. 
Thank you to everyone who has worked so hard and at times sacrificed part of themselves to complete this project.

This EP is testament to the gift of love and the privilege of sharing music. Not an opportunity to be taken for granted.

I will deliver the masters to Erin before the end of September and sincerely hope something is done with this recording, for a debut release of this quality is a very rare gift indeed.

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Julia Messenger @ the Melbourne Recital Centre: Sept' 22nd

I'll be very proudly performing trumpet with the wonderful Julia Messenger later this month at the Melbourne Recital Centre, Sept' 22nd. The band behind Julia is seriously awesome: David Jones (Drums), Mark Fitzgibbon (Piano) and Craig Newman (bass). Event is apparently SOLD OUT but rumours of a few still at the door on the night. SO looking forward to this one...

https://whatson.melbourne.vic.gov.au/Whatson/Music/gigs/Pages/7b6bfae6-c437-4b46-aa9d-a540ea8b9b1b.aspx

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Grand Baxter ... No Beans - Sorry!

A previous post of mine contained incorrect information, largely due to the fact Ben Langdon and I never actually discussed it. So I listed his latest SOLO EP incorrectly as a release by the Bean Project (Ben's other project). So...

Ben Langdon's SOLO project Grand Baxter has recently completed a four-track EP, mixed and mastered here at ToKwerX. CORRECT ;)

No Beans!

No Beans!

A Boy Called Sailboat Soundtrack: Grigoryan Brothers

ToKwerX this weekend is welling in the sounds of the Grigoryan Brothers. Their superb classical guitars have been the centre of the soundtrack for upcoming film “a Boy Called Sailboat.” Mixes by my graduate Mark Farrell through my matched pair of AVALON 737sp hardware units. Mastering chain is: Audient SUMO VCA Compressor, Avalon AV747 Compression and EQ, Harrison 32C Filters and EQ, Quad Eight CL22 Limiter - all captured in DSD @ 5.6MHz sampling rate. Release of the soundtrack will be shortly.

Dolby Atmos for ToKwerX - Plan for 2020

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This evening I experienced the most inspiring sound mixing format ever in Dobly Atmos. Think of Surround Sound (with Left, Centre, Right, Left Rear, Right Rear and a Sub') but now add another Four Ceiling speaker channels. This introduces HEIGHT into the sound stage and has been adopted by the film industry for cinemas and home theatres as the new standard.

But what about MUSIC in Atmos? It is beginning; slowly. Several artists have embraced the format. In 14 months when ToKwerX upgrades the studio for what is likely my final business lease, the speaker system will be an ATMOS 5.1.4 system. With so many artistic possibilities I have launched the plan to build my new system around this format. PROTOOLS Ultimate (formerly HD) with a Dolby ATMOS monitor array is the future at ToKwerX. Music for the new era in the most incredible advance in sound mixing since stereo! So excited!

Broken Zips

You and I are like a broken zip

Sometimes, with patience

We can hold together

But it never quite feels nor looks the same

Then…

Without warning

 

We tear apart

Trumpet through a Ribbon...

My 1976 OLDS Recording is a beautiful sounding Horn; not too bright or shrill. Recording for a Sydney artist's upcoming release and have opted for the OPR Ultra-Mod Rocket Ribbon as the microphone. Running through one of my AVALON 737SP modified valve units (on High Gain of course!) the tone is thick and moody but still with an upper presence. A little boost at 1.2k and another at 10k and the sound was there. A touch of compression. DONE!

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Sydney Morning Herald Review: Chris Young double CD

Last year I was fortunate enough to record, mix and master a double CD for Melbourne Jazz artist Chris Young. Also had a cameo on trumpet for a track. This release was mixed and mastered entirely at ToKwerX on the hybrid system to DSD then brought down to CD audio formats. John Shand from the SMH (Sydney Morning Herald) has published a very positive review of this release, attributing 4/5 Stars. LINK to On-line article.

JAZZ Christopher Young Trio

DIGITAL ANALOGUE (Newmarket)

★★★★☆

Christopher Young has a gift for crafting charged atmospheres in which to improvise. This gift is especially prominent on this double album's 20-minute centrepiece, the slow, dreamy Out of Time, which has minimal harmonic movement, instead using layers of post-Robert Fripp guitar played by guest Brendan Hains, whose long, sustained notes frost with tension the improvisations from Julien Wilson's tenor saxophone and Young's bass clarinet. This sharp edge of anguish is passed between clarinet, saxophone and guitar, without either the effect becoming overwrought or its impact diminishing. Meanwhile bassist Alistair Watts and drummer Daniel Brates maintain a soft, restrained, but nonetheless buoyant dialogue to keep the piece afloat. It is among the most compelling works I've heard this year, and amazes me afresh with each hearing. The rest of the album keeps you in its grip, too, with Young developing such full-blooded sounds on his saxophones, clarinets and flute, and his compositional ideas asking different questions of himself (sometimes multi-tracked) and his collaborators. Wilson's brawny tenor also guests on There Is Always a Way to Know and trumpeter Tony Norris spices up EternityJOHN SHAND