One day in the studio to track six (6) songs of Horn Section parts. Setup at 11:00am and finally walked out with files in hand at 5:00pm. A huge and frankly exhausting day but extremely happy with the results. A reality-check of just how much energy it takes to complete such a production task. All parts were double-tracked and in some cases tripled with alternative parts. EP has been mixed and upon several listens appears to be “I.T.C”… IN THE CAN!!
So nice to be playing the "humiliating mistress" live again; very different to studio. A small guest appearance with the Tracey Roberts Quartet (+1?) but some great moments shared, especially with Jon Magill (Tenor) - as these shots suggest.
Pics by Michéle Photos
Since the age of 7 I've had an affair with the Trumpet. At 15 I entered my first recording studio and fell in love with the art of recording and all it's machinations.
Finding a balance has always proven problematic for me, especially over the last two decades where folks have been more than happy to pay me six times what they'd pay for a Jazz gig on the Horn and have me record, mix or master their performances. This is still essentially the same, with musicians being paid around the same performance fees that we were thirty years ago; sort of depressing isn't it?
But as life see-saws and weighing up the need to prioritise finances over artistic indulgence alters the scales it appears the balance is beginning to change. I am managing to find small pockets of time between parenting and engineering to devote to practice.
Today I bought a new stand for the Horn so 'she' can sit alongside me whenever I'm engineering. Within arms reach like the rest of my analogue hardware, so is now the first love of my life; and the affair continues...