In my fourteen (!) years teaching and lecturing at RMIT University’s Sound Production program in Audio Engineering I have had the pleasure to meet many wonderful people. But the time comes when creative choices begin to outweigh the financial decisions made prior to meet the needs of parenting and raising two children. In 2020 there will be a Changing of the Guard so to speak as I reduce my teaching tenure to a few days per week allowing more time for making records and playing jazz. Academic life has regrettably supported a focus on narrower and narrower aspects that underly our creativity, so I now yearn to address this imbalance. Over the next year my graduate from many years ago and now colleague, Mark Kelson will be gradually prepared to take over the duties I shall step away from. This gives me great pleasure to know the program I have developed with a wonderful team of others will remain in hands that are inspired and engaged in the art of engineering… whilst I again focus upon actual creativity. I need to acknowledge and pay utmost respect to my fellow team members at RMIT who have been absolute stalwarts in the success of this program: Michael “Smasha” Pollard, Timothy Johnston, John Phillips and Paul Thomas. Previous program managers Jen Anderson and Bruce Jacques were also instrumental in both developing this program but importantly assembling this particular team of awarded engineers and creators; all of whom are still fully engaged outside of their teaching roles. Thank you x
RMIT Sound Production
Tomorrow during student practical exercises in our NEVE studio @ RMIT Sound Production we are setting up a comparative recording of Drums with various Ribbon microphones. Results from this will be analysed back at ToKwerX and I'll post the findings and outcomes very soon. Thanx to Mark from OPR for providing "the Grill U-Mod" for this session. The session will include the following "Velocity Transducers:"
ROYER R121 | AudioTechnica AT4080 | SE Voodoo | OPR Rocket U-Mod | OPR the Grill U-Mod
If you've been following my previous Blogs this month there is clearly a buzz around the new DAW package from HARRISON CONSOLES entitled Mixbus32C. I am extremely pleased to announce that RMIT University's SOUND PRODUCTION program has entered into an education partnership with Harrison, which enables the inclusion of the Mixbus packages into the training collection delivered across the two year Advanced Diploma. Besides allowing the next generation of audio engineers to fully appreciate the differences between DAW software there are also financial benefits made available to current students wishing to purchase the software. All HD studios at RMIT within the Sound Production program will see the installation of Mixbus32C and the Essential plugin bundle over the next few weeks, with audio-focused teaching and learning computer labs already running the packages for compatibility testing.
This is a first for RMIT Sound Production, which continues to remain as the premier industry-supported program delivering this form of study. Thank you to the wonderful attitudes to education and the amazing support from Harrison Consoles, Nashville TN, USA.
Thought a few of you addicted to AP (Audio-Porn) would appreciate seeing the workmanship of this gorgeous console. Swapped out Channel 9 due to a noisy Pre-Amp.
The next week will be spent commissioning our new SSL room. Frankly we're against the clock on this one, but off to a great start today; the AWS console is up and running!
We had to go almost underground at RMIT to find a new place ...
For this ...
Happy Mr Thomas!
RMIT Sound Production begins the task of installing and upgrading our 3 studio systems to HD-X. Here's the first system configured in a new Westmere Mac-Pro. This will result in 12 host (Native) processors and an impressive 54 (!) DSP processors dedicated to audio functions. That should enable us to power countless number of tracks with essentially any amount of plug-ins ... or Tasmania :)