tokwerx

eBook 4 available now in the ToKshop...

Harmony for Engineers. A simplified approach to the concepts and structures governing Diatonic Harmony. Vsn 1.1 now published with an extra chapter on Minor Scales structures and Harmony.

Special introductory price. Any purchaser receives a life-long free update to future versions and revisions. Head on over to the ToKshop

Yes, eBook #3 (Mixing Techniques) is still ongoing… as is the discipline of Mixing. But in the meantime :)

FOMO HOMO

Weird and Fomo - Sapient Homo
Not the only strain
The race is on for fame

Click me Click me
How many Likes How many Likes

Western Educated Industrialised Rich and Democratic

That’s so WEIRD

FOMO HOMO Fear of Missing Out

FOMO HOMO Fear of Missing Out

Can you concentrate - For long enough

Have a conversation

Forget the distraction - No more infractions

Look me in the Eye

Western Educated Industrialised Rich and Democratic

That’s so WEIRD

FOMO HOMO Fear of Missing Out

FOMO HOMO

© 2018 ToKwerX

Rebellious Bird: HORNS Tracking

A massive day in Studio 1 NEVE yesterday tracking Horns for the Rebellious Bird debut release. Editing and mixing these today before dropping the Horns into the main mix sessions for final tweaks tomorrow; mastering Thursday… Friday onwards… REST!

My absolute gratitude to engineer Mark Kelson for driving whilst I was performing alongside Ellie Lamb on Trombone and Jeff Mead on Tenor Sax. Beautiful section.

Grand Baxter ... No Beans - Sorry!

A previous post of mine contained incorrect information, largely due to the fact Ben Langdon and I never actually discussed it. So I listed his latest SOLO EP incorrectly as a release by the Bean Project (Ben's other project). So...

Ben Langdon's SOLO project Grand Baxter has recently completed a four-track EP, mixed and mastered here at ToKwerX. CORRECT ;)

No Beans!

No Beans!

A Boy Called Sailboat Soundtrack: Grigoryan Brothers

ToKwerX this weekend is welling in the sounds of the Grigoryan Brothers. Their superb classical guitars have been the centre of the soundtrack for upcoming film “a Boy Called Sailboat.” Mixes by my graduate Mark Farrell through my matched pair of AVALON 737sp hardware units. Mastering chain is: Audient SUMO VCA Compressor, Avalon AV747 Compression and EQ, Harrison 32C Filters and EQ, Quad Eight CL22 Limiter - all captured in DSD @ 5.6MHz sampling rate. Release of the soundtrack will be shortly.

Dolby Atmos for ToKwerX - Plan for 2020

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This evening I experienced the most inspiring sound mixing format ever in Dobly Atmos. Think of Surround Sound (with Left, Centre, Right, Left Rear, Right Rear and a Sub') but now add another Four Ceiling speaker channels. This introduces HEIGHT into the sound stage and has been adopted by the film industry for cinemas and home theatres as the new standard.

But what about MUSIC in Atmos? It is beginning; slowly. Several artists have embraced the format. In 14 months when ToKwerX upgrades the studio for what is likely my final business lease, the speaker system will be an ATMOS 5.1.4 system. With so many artistic possibilities I have launched the plan to build my new system around this format. PROTOOLS Ultimate (formerly HD) with a Dolby ATMOS monitor array is the future at ToKwerX. Music for the new era in the most incredible advance in sound mixing since stereo! So excited!

Sydney Morning Herald Review: Chris Young double CD

Last year I was fortunate enough to record, mix and master a double CD for Melbourne Jazz artist Chris Young. Also had a cameo on trumpet for a track. This release was mixed and mastered entirely at ToKwerX on the hybrid system to DSD then brought down to CD audio formats. John Shand from the SMH (Sydney Morning Herald) has published a very positive review of this release, attributing 4/5 Stars. LINK to On-line article.

JAZZ Christopher Young Trio

DIGITAL ANALOGUE (Newmarket)

★★★★☆

Christopher Young has a gift for crafting charged atmospheres in which to improvise. This gift is especially prominent on this double album's 20-minute centrepiece, the slow, dreamy Out of Time, which has minimal harmonic movement, instead using layers of post-Robert Fripp guitar played by guest Brendan Hains, whose long, sustained notes frost with tension the improvisations from Julien Wilson's tenor saxophone and Young's bass clarinet. This sharp edge of anguish is passed between clarinet, saxophone and guitar, without either the effect becoming overwrought or its impact diminishing. Meanwhile bassist Alistair Watts and drummer Daniel Brates maintain a soft, restrained, but nonetheless buoyant dialogue to keep the piece afloat. It is among the most compelling works I've heard this year, and amazes me afresh with each hearing. The rest of the album keeps you in its grip, too, with Young developing such full-blooded sounds on his saxophones, clarinets and flute, and his compositional ideas asking different questions of himself (sometimes multi-tracked) and his collaborators. Wilson's brawny tenor also guests on There Is Always a Way to Know and trumpeter Tony Norris spices up EternityJOHN SHAND

HARRISON Consoles enters the Cross-Platform Plug-in market

HARRISON Consoles out of Nashville Tennessee have been designing, developing and manufacturing ultra high end consoles for decades, with the company founder Dave Harrison introducing the "in-line" configuration of a channel fader and a tape return (baby fader) on the same channel strip. His now famous 32C console and the same-named EQ are synonymous with musicality and technical perfection. The company has been developing it's own DAW known as MixBus and I've lauded their products over the past few years both here on ToKwerX and also under my role with RMIT University's Sound Production program.

Harrison have ported one of their digital designs long available in their flagship consoles across to other formats to allow engineers access to these within the AAX, AU and VST systems and it appears this will not be the last; the AVA Mastering EQ.

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Unique in it's ability to create a flat curve between adjacent frequency bands this final stage EQ is designed to add the final touches to a mix or master. So far I've run this across some projects recently completed as a comparison and it's subtle ability to open up air in the top end, add presence to upper mid range and depth to subs in the 60-80Hz realm has proven wonderful. Harrison are offering a special price on this EQ so check out their site whilst this remains available. Harrison Consoles.

ToKwerX eBook Series: Recording & Editing Techniques

If you're into audio engineering or are just fresh to this field of art and technical expression it's likely you've been given advice from those who may not actually have been doing this for long; I'll offer you the benefit of my forty years in studios through my eBook series. There are currently two releases published in ePub format for use on a myriad of devices: 1 investigates Recording Techniques whilst 2 delves into the workflows I've developed for Editing, predominantly in ProTools. Head over to the ToKshop to grab yourself a copy or bundle.

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PS. the 3rd eBook is currently underway - Stay Tuned: Mixing Techniques

ToKwerX iBook 2: Editing Techniques

It's been an extremely productive Summer with lot's of recording, performances, back to lectures and teaching and also managing to write the 2nd iBook (ePub format). This second publication focuses upon the Editing Techniques within the DAW environment and features a whole range of workflows for an entire production process. The intention is to provide engineers, especially junior engineers with a framework upon which to develop or adapt their own workflows in the many aspects of editing prior to the blurry end leading into the mix stage.

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It became apparent after releasing the 1st iBook (Recording Techniques) that whilst there are quite a few publications of that type the Editing aspects for the engineer have not been the focus for many teaching or learning resources. It is my sincere hope that this 2nd ePub document will become a valuable addition to reading the user manual for ProTools especially, although many of the workflows can be easily adapted across alternative DAW packages. Head over to the ToKshop to grab yourself a copy.

Why We Teach...

Today marks the beginning of another year in teaching Audio Engineering and it's related sub-fields. This is the part I love; disseminating as much of my knowledge that I can whilst embracing everything I am still yet to learn. So teaching is always a two-way street; I learn from my students who learn from me.

I began teaching in this field part-time in 2003, went full-time in 2006 and was finally offered tenure in 2007, which meant I wasn't effectively "unemployed" from New Year's Eve 'til New Year's Day. So over a decade now and the actual teaching element is still as exciting for me as ever. I am very grateful to have such a fulfilling job that serves to feed my children and I but above all that I am blessed that my students actually enjoy my teaching.

Lecture/Class #1 for 2018 to my new cohort of 1st years and one particular student states at the end of the two hours "thank you - you're a fantastic teacher - the best I've ever had."

Phükk! Thank you. Let the journey for me continue whilst for others the journey has only just begun...